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      <image:caption>The Japanese is kami, which also means 'the gods'. Is this why long, black Japanese hair is considered to have such potent symbolic power? Written and produced by Masako Fukui; Sound engineered by Marty Peralta; Originally broadcast on The Australian Broadcasting Corporation's RN</image:caption>
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      <image:caption>The Japanese is kami, which also means 'the gods'. Is this why long, black Japanese hair is considered to have such potent symbolic power? Written and produced by Masako Fukui; Sound engineered by Marty Peralta; Originally broadcast on The Australian Broadcasting Corporation's RN</image:caption>
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      <image:title>home - The Cut</image:title>
      <image:caption>The Japanese is kami, which also means 'the gods'. Is this why long, black Japanese hair is considered to have such potent symbolic power? Written and produced by Masako Fukui; Sound engineered by Marty Peralta; Originally broadcast on The Australian Broadcasting Corporation's RN</image:caption>
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      <image:title>About</image:title>
      <image:caption>Photo by Jaye Kranz</image:caption>
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    <loc>https://www.strangeandbeautifulthings.com/text</loc>
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    <lastmod>2021-07-25</lastmod>
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      <image:caption>Bye bye reef Bye bye ocean life Doesn’t matter We have the Olympics And can fly into space by rowena parry</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/593fcb23e3df288fc64dad64/1518800883575-07BQ5DRFCOLZSUMI6IL5/Haggard+Bulldog</image:loc>
      <image:title>Text - Haggard Bulldog by Joseph Zaresky</image:title>
      <image:caption>How long can a bulldog keep up its grimace? For the sake of my beautiful mistress I played the brute; I had to look like I would eat your leg up in a chic, adorable kind of way. My role was to repel and to attract. As we did the main drag along the shops and the esplanade, me running to keep up with her, I was the compact and fierce embodiment of her sexual power which she could unleash or hold back with a movement of her little finger. Ah! Was it not clear to me that at bottom I was there to underline her invulnerability? I was the prop for her image of a carefree fashionable person who could never be hurt. Like a faithful creature I let the hurts that inevitably came fall on me. All her disappointments and her miseries I chomped up like a sink disposal. I offered my own delicate back for her to dump on. I terrified the anxieties that bestared her. A bulldog isn’t a stone! Is there any wonder my face is fallen, and my eyes don’t bulge any more?</image:caption>
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      <image:title>Text - The Commuter by Nicola Sitch</image:title>
      <image:caption>There’s something distinctly sexy about a tram. Perched, as I am, at stop 92 in the latent heat of a Melbourne summer morning, one might admire her slinking, muscular movement. The way her second carriage dislocates as she takes a corner, like a thrust hip. Elegant, self-assured, decidedly feminine. It’s December 2019, I’m working a dead end job writing copy and as her sliding doors exhale cool air onto the platform, I realise that this tram ride will be the best part of my day. Call it what you want- voyeurism, human interest, or stickybeaking- but I am enamoured with the idea of the cabin as a moveable stage. I writhe in my seat anticipating the tapestry of humanity that will unfold here; that I will witness, welcome, contain if only for a few stops. The sudden inertia of the tram slings a man into the booth next to me. I notice pigmentation blooming across his cheek, betraying an adolescence burdened by cystic acne. The base note of his cologne is warm, and sweat stains clutter his collar. Heavy metal oozes from his headphones and sit in my ear like tinnitus. In the seats adjacent, an elderly couple stare vacantly ahead but something about the way they interlace arthritic fingers feels adolescent. Outside the pulsing window, inner-Melbourne transpires- a mosaic of industrial spaces realised cleverly anew: urban wineries and boutiques boasting in-house tailoring. It dawns on me, suddenly, the affection I have for this city and the sentiment collects in my throat. The doors part and the tram fills with the ambrosial smell of a well-kept garden. I look up and note Jasmine spilling over the fence of the local primary school. We’re in the bowels of the inner-north now and I notice a man nailing empty baked bean cans to a lamppost. Squinting, I register a plump succulent sitting squarely in the tin. ‘How beautiful,’ I think, but I’ve let my gaze linger (a cardinal sin of sticky-beaking). ‘What!’ he barks as he boards the tram, peering out from underneath his brow. ‘It’s for morale’. At the Carlton Baths, two middle-aged self-optimising types, still towelling themselves down, plant themselves squarely in the aisle. They are trading opinions on their recent reads at peak volume, and I wonder what it must be like to assume space so unapologetically. Then, two women board and fold themselves into a bank of seats at the back of the tram, giggling conspiratorially. One draws a persimmon from a plastic bag and holds it against the light, appraising it like a host on Antique Roadshow. Something about their presence in that moment, the way they marvel at the fruit’s taut skin, its gem-like vibrancy, is a lesson in micro-pleasures that will contain me all day.</image:caption>
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      <image:title>Text</image:title>
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    <lastmod>2020-03-14</lastmod>
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      <image:title>strange and beautiful objects</image:title>
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    <lastmod>2024-02-15</lastmod>
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      <image:title>audio - Knitting with Dog Hair</image:title>
      <image:caption>Knitting with Dog Hair by Natalie Kestecher; Sound Engineer Russell Stapelton</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/593fcb23e3df288fc64dad64/1583632348278-HCGLZ7RR01P6G2YD62UO/o0480036013863945510.jpg</image:loc>
      <image:title>audio - Wayne Funnell’s Erotic Ode to Adelaid e</image:title>
      <image:caption>Wayne Funnell’s Erotic Ode to Adelaide</image:caption>
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      <image:title>audio - Son of Rex</image:title>
      <image:caption>Son of Rex written by Nick Antosca; Performed by Edgar Oliver</image:caption>
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      <image:title>audio - The Cut</image:title>
      <image:caption>The Cut by Masako Fukui; Sound Engineer Marty Peralta</image:caption>
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      <image:title>audio - Passing the Torch</image:title>
      <image:caption>Passing the Torch by John Connell; Sound Engineer Russell Stapleton; Producer Claudia Taranto; Photo Mary R. Vogt Morguefile.com</image:caption>
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      <image:title>audio - Henry</image:title>
      <image:caption>Henry by Dennis Funk</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/593fcb23e3df288fc64dad64/33f1fb59-ea2b-4d8b-a150-6072831b4362/s-l1600.jpg</image:loc>
      <image:title>audio - Mr Montenegro</image:title>
      <image:caption>By Natalie Kestecher This is a fairytale about ‘carnivorous desire’, big hands, and the courage to never accept the shirt tucked into the underpants. Written and produced by Natalie Kestecher; Sound engineer Steven Tilley. This story was part of an audio series based on the Game Consequences produced by Falling Tree Productions for BBC Radio 3's Between the Ears; and also broadcast on The Australian Broadcasting Corporation's RN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/593fcb23e3df288fc64dad64/1528704455848-C1C877CJTU0A9HQU5LAV/brand-1851576_1920.jpg</image:loc>
      <image:title>audio - The Story of Dusty Lee</image:title>
      <image:caption>The Story of Dusty Lee by Wayne Funnell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/593fcb23e3df288fc64dad64/1520842335521-MAHJ0MJKSXL2NEBOGQAG/Natalie+and+Bassie</image:loc>
      <image:title>audio - Kintsugi Dog</image:title>
      <image:caption>Kintsugi Dog by Natalie Kestecher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/593fcb23e3df288fc64dad64/1528705297981-7JR5A2VR884VLR7MX8C1/Photo+by+Mary+Aughney</image:loc>
      <image:title>audio - The Landlady’s Offer</image:title>
      <image:caption>The Landlady’s Offer by Joe Zaresky; Produced by Natalie Kestecher; Photo by Mary Aughney</image:caption>
    </image:image>
  </url>
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    <loc>https://www.strangeandbeautifulthings.com/read-me</loc>
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    <lastmod>2020-03-06</lastmod>
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